展览时间2019.11.18——2019.11.27

开幕时间2019.11.18(星期一)下午4:30

策展人刘海辰

艺术家:李非凡

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Date2019.11.18—— 2019.11.27

Opening Reception 4:30pm,November 18,2019(Mon.)

CuratorsLiu HaiChen

ArtistsLi FeiFan

 


 

顽野之隅 

文/刘海辰

“顽野之隅”是非凡梳理自己创作时萌生的词汇,“顽野”包含了他聚焦的对象,也透露出他在日常中感受到的某种状态。幽暗的野地、行踪诡异的动物和令人好奇的参与者,建构了一个充满悬疑的童年旧梦。李非凡描绘的这些绘画就像是当我们在听故事时脑海里出现的东西,可能这并不是一个完整的故事,但在他的提示中,这个故事获得了新的生命。在其作品世界中,他扮演成一位自我的探索者,重新对自己的过往、记忆进行勘定,他不是一位历史的客观者,真伪在这里并不生效。通过个体体验的引导,他将捕捉到的某些印象的“决定性瞬间”拆分、编排和重组,试图创造过往,这也就意味着“顽野之隅”于李非凡的魅力。当然人们可以创造出任何想要创造的图像,这些可能性会依赖于思考和想象的能力,但李非凡在寻找的是在当下自己的生命体验中依然能找到寄托的过往,也许是对成年后的慰藉、也许是对当下的怀疑···在这些作品中采集一些他留在图像或者图像之外的精神力量和理想。

李非凡的展览包含了铜版画作品和架上绘画作品,他在意画面中的绘画性,在意绘画本身的传递,如同他的主题一样严肃地在画布上玩耍。铜版画的创作经验为他带来了关于追求随机性和间接性效果的体验,使得他在布面作品创作的过程中有新的探索可能。在作品中他以一种轻松的姿态触碰那个让他好奇的世界,在画面图像形成某种相关性、甚至出现短路关系时,他构建出一个平行世界,一个属于他的人生迷题的梦境。

 

 

 

Naughty Coign  

Auther / Liu HaiChen

“Naughty coign” is the new expression created by Li Feifan in his own creations combing process. “The naughty” contains his focused objects, reflecting a certain feeling state of his daily life. In this way, an old suspenseful childhood dream is born, which is constructed by dark wilderness, strange animals and curious participants. What appears in our mind during story listening process, is actually these paintings described by Li Feifan. The story may not complete, but it doesn’t affect its new vitality with his tips. In his works world, he resurveys his past and memory as a self-explorer. Authenticity does not work for him, because he is not an objective person of history. Through guiding individual experience, he divided, arranged and reorganized the “decisive moment” of some captured impressions, trying to create the past. It’s just reflects the charms of “Naughty coign” to Li Feifan. It’s no denying that human can create any image that they want, of which possibilities depend on the thinking and imagining abilities. But Li Feifan is looking for something different. He is looking for the past in his current life experience, which maybe the consolation for adults or the doubt for the present… In these works, he collects some spiritual power and ideals remaining in the image or beyond the image.
There are copperplate print works and easel painting works in Li Feifan’s exhibition. The painterly in the picture and the representation of painting itself are his most concerned points, playing on the canvas as seriously as his theme. The pursue of random and indirect effects in the works is realized through the creation experience of copperplate etching, which also gives him new exploration possibilities in the process of his creation on canvas. In works, he touches the curious and mysterious world with a relaxing attitude. When a certain relevance or even a short-circuit in the images appears, he constructs a parallel world, a dream belonging to his life puzzles.

李非凡  LI FeiFan

2018年本科毕业于四川美术学院版画系
现生活工作于重庆与浙江

 

对于创作,我更加关注于画面本身的状态呈现。画面荒诞而又真实的状态,诙谐的趣味性与创作的笔触的偶然痕迹是我对于创作的注重点或者说是 感兴趣因素。以凹版为创作媒介,用不确定的事物,不确定的场景建立虚构荒诞的“风景”,凹版独特的肌理给予创作画面更加强烈的视觉效果,同时带有偶然的痕迹,这种偶然性贯穿于现在创作中。后来,由于一些客观的因素,创作的材料主体多转移至纸本与布面,相对于版画的“制作型”创作方式,在纸本或是布面上直接绘画显得更加自由。在版画制作中学习到的画面理性安排的意识,似乎降低了在纸本或是布面上的直接绘画的“失败率”。版画的学习使我更好地掌握直接绘画画面节奏的安排。

 

/开幕现场回顾

在开幕式现场,白空间的代表对白空间做了简短介绍,表达了对艺术家、策展人及到场嘉宾的热烈欢迎,并请策展人刘海辰先生、艺术家李非凡先生、嘉宾朱海先生依次致辞。

艺术家 李非凡先生(左)、策展人 刘海辰先生(中)、到场嘉宾 朱海先生(右)


艺术家与众嘉宾合影


交流现场

 

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